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Civil War II #2

Writer: Brian Michael Bendis
Artist: David Marquez
Publisher: Marvel

Following the cliffhanger ending in the first issue of this series, chapter two opens with an emotionally-charged Tony Stark kidnapping Ulysees, thus declaring war on the Inhumans in the process. As the Ultimates and the Avengers negotiate with Medusa so that Captain Marvel can talk with Tony, Ulysees is held captive and interrogated inside Stark Tower. Yet before Iron Man has a chance to go head-to-head with some of his closest allies, Ulysees has another vision which spells doom for all of them.

Being a chapter in a multipart crossover, not a whole lot happens in this issue. The cliffhanger ending is solid, but most of the buildup to that consists of Tony interrogating Ulysees, even though he knows that the kid can’t be blamed for what happened to Rhodey. Still, despite the first issue being more action-packed and layered, Bendis does a nice job here building the tension. Tony’s war with the Inhumans has officially begun, and Carol and the others have no choice but to choose sides. Plus, the ending adds more complexity to the situation at hand, while also bringing a key Marvel character into this conflict.

Like the previous issue, Marquez’ pencils are a major highlight. Considering the amount of close-ups in this issue, he captures each characters’ emotions and anxieties beautifully. Plus, the splash page at the end showcasing Ulysees’ vision is a gem of apocalyptic proportions. Given that Civil War II will have a lasting impact on the Marvel Universe from here on, I’d recommend giving the series a shot.

-Keven Schaefer for Ultimate Comics

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Millarworld Annual issue #1 in-store signing! July 16th, 11am-1pm Ultimate Comics Raleigh

July 16th 11am-1pm
The first MILLARWORLD ANNUAL—the result of an international creator search seeking the best new writers and artists to tackle MARK MILLAR’s extensive library of hit characters. From Kick-Ass to CHRONONAUTS, they’re all here in this instant collector’s item. To celebrate the release of the first-ever Millarworld Annual, talent-search winners Steve Beach (The Lost Boys of the U-Boat Bremen) and Cliff Bumgardner (InternetPicnic.com) will be in the Ultimate Comics Raleigh store to sign books and talk shop about their take on Mark Millar’s classic American Jesus and other horrifically beautiful things. All proceeds from the annual go to benefit Hero Initiative, helping comic creators in need!

July 16th, 11am-1pm!

https://imagecomics.com/comics/releases/millarworld-annual-2016

Millarworld_signing_web_poster

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Civil War II: Amazing Spider-Man #1

Writer: Christos Gage
Artist: Travel Foreman
Publisher: Marvel

Spoilers ahead for Civil War II #1

Following the cliffhanger in Civil War II #1 with Rhodey’s death and She-Hulk on the hospital bed in critical condition, the first tie-in comic in this series is a bit lighter in tone. In it, Spidey teams up with newcomer Ulysees, the precognitive Inhuman and catalyst for this superhero conflict, for a night of crime-fighting. After Ulysees’ visions lead to him and Spidey preventing a murder from taking place, the web-slinger takes his new future-seeing friend to Parker Industries for a visit. After introducing him to Harry and ex-nemesis Clayton Cole, Spidey proposes that with Ulysees’ help they could take the company to new heights. Yet it isn’t long before Peter Parker’s bad luck catches up with him, and Ulysees has a vision of a presumed ally going bad.

First off, in addition to the main Civil War II comic, I would highly recommend reading Amazing Spider-Man: Learning to Crawl before delving into this book. Based on this first issue, it reads like a sequel to that series, as well as a continuation of Dan Slott’s run in general. Christos Gage captures the nuances of Spidey well, from his quick-witted remarks to his moral struggles with utilizing Ulysees’ powers. While the first main issue in this crossover established the basic philosophical debate of whether or not to stop crimes before they happen, here we see the racial profiling allegory brought to the forefront in an early scene. When Ulysees sees a man whom he had a vision of murdering people, Spidey is hesitant at first to pursue him, unsure of whether a possible glimpse of the future is enough to justify capturing this guy. Gage is able to explore this idea in several instances without beating it over the bush, while also incorporating a substantial amount of Spidey-esque humor. A scene with Johnny Storm and Peter is especially great.

Foreman’s pencils also do a nice job of coinciding with the tonal aspects of the story. It’s different enough from that of Humberto Ramos’ and other longtime Spidey artists, but still feels like a nice homage to all their work. Also since we’ve still seen very little of Ulysees so far, both Gage and Foreman do a great job of exploring who he is as a character in this issue. In spite of his extraordinary and in many ways dangerous powers, he’s still just a kid who’s not even out of college. This provides a nice gateway for a student-mentor relationship to foster between him and Peter. I’m generally hesitant/apathetic about event spin offs, but this is one that just feels like a good, organic Spider-Man story.

-Kevin Schaefer for Ultimate Comics

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Tales From The Darkside #1 (of 4)

Script by Joe Hill
Adapted by Michael Benedetto
Art by Gabriel Rodriguez
Colors by Ryan Hill
Published by IDW

Joe Hill had some ideas for a relaunch of the horror anthology television show, Tales From The Darkside. It didn’t make it to series, but when you have gotten awards and recognition for your work with scary novels and the Locke And Key comics, when life hands you lemons, you make a limited series with IDW.

This series is going to be a collection of independent tales with a connective underlying mythology of The Darkside, a supernatural phenomenon that hits people who have been very, very bad or very, very good. And in this issue, teenage loser Ziggy has not been good at all. He parties all night, sleeps all morning, and naps in the lifeguard stand at the local pool instead of doing his job. But when his negligence leads to tragedy, he falls into a Darkside event and returns to the real world with a terrible poetic curse. A good-looking guy tries to explain everything, but the curse makes that impossible. Readers can only watch as Ziggy tries to make amends for his naughty naptime, and it’s a tense thrill.

This would have made an excellent episode of television, with a straightforward plot and a theme of justice that reminds us all of being on both sides of a big mistake. The curse is scary but wouldn’t have needed too much for a special effect budget. The hint at a larger, unifying Darkside mythology is captivating, and it would get me back for next week’s story. This issue has gotten me hooked for the rest of the miniseries, and I hope it can get back on a producer’s desk.

Also, the back of the issue has an ad for an October hardcover release of Joe Hill’s script ideas for the Tales From The Darkside show. Fans of Hill’s horror work are going to be in for a treat, so preorder this one now – just talk to the person at the register at Ultimate Comics in Chapel Hill or Raleigh.

-Matt Conner for Ultimate Comics

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The Punisher #2

Writer: Becky Cloonan
Artist: Steve Dillon
Publisher: Marvel

Story: Frank Castle pursues a mercenary outfit turned drug cartel called Condor. This organization has manufactured a drug called EMC, which enhances its users with superhuman abilities. In this issue, he encounters their big bad hitman Face.

Thoughts: This is an action-packed read which has the feel of a 90s action movie, particularly with Steve Dillon’s cinematic art style. While nowhere near as grim and brutal as the Garth Ennis material, it’s definitely not a kid-friendly comic either, much like Greg Rucka’s run. Becky Cloonan’s script keeps the momentum going and allows the visuals to tell the story, while also providing an interesting concept and a worthy antagonist for Punisher. If you’re a Punisher fan or want to learn more about the character, definitely check it out.

-Kevin Schaefer for Ultimate Comics

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Mighty Morphin Power Rangers: Pink #1

Writers: Brenden Fletcher, Kelly Thompson
Artist: Daniele Di Nicuolo
Publisher: BOOM! Studios

Story: Kimberly Hart, the original Pink Ranger, has retired from the team and is now a world-traveling gymnast. When her mom and stepdad don’t meet her in Amsterdam as planned and she can’t reach them, she travels to their home in St. Moineau, France. Upon arrival, she discovers that the place is a ghost town, and that a force of sea-monsters has taken the citizens captive. She learns this from a French native whom she rescues and who helps her locate where the people are being held. Suspecting Rita and Zedd’s involvement, she uses an emergency communicator to contact Zordon. Though he informs her that the Rangers are currently off-planet battling Zedd, he tells her that with the Sword of Light he can restore her powers temporarily. She agrees and sets off to save her mother. Upon locating her and the other citizens, she discovers that an old nemesis is behind this.

Thoughts: This is an excellent follow-up to the main Rangers comic, and gives Kim more depth than ever before. She’s clearly more independent now, and despite being without powers for the bulk of the issue, she still kicks ass. In one panel she throws a stack of gold coins at a sea-monster like they’re batarangs. We also see her knock out goons with her bow and arrow, do some crazy martial arts moves, and ride her bike down the streets of France like someone from the Mad Max universe. She’s slick, smart, resourceful, and her story here feels very organic. I love that she has to do this mission on her own and is confident about it. Writers Brenden Fletcher and Kelly Thompson offer a fresh and exciting story within the Rangers universe; and artist Daniele Di Nicuolo delivers top-notch work, giving the book more of an espionage aesthetic. Colorist Sarah Stern also plays a huge role in separating this comic from the traditional Rangers look. This is a must-read for any Rangers fan.

-Kevin Schaefer

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Aquaman: Rebirth #1

Written by Dan Abnett
Art by Oscar Jiminez
Published by DC Comics

Aquaman has been a long-running joke, that guy who summons fish you saw in that parody on Family Guy or some other late-night pop culture fest. One of the strengths of DC’s New 52 relaunch was Geoff Johns on Aquaman, working the joke into continuity but making a strong case for Aquaman as a great character. He fights crime in seaside locations, but what makes him interesting is that he has a human father but grew up as the future king of a world we can’t understand. Johns had a great run on the book, but subsequent writers had a hard time winning fans over, and as Rebirth approached, people just weren’t talking about Aquaman.

This is the book to bring him back.

Aquaman’s Rebirth issue opens with him fighting a group of Atlanteans dedicated to eradicating contact with the surface world. Topside, his fiancee Mera runs the mission from the Atlantean embassy. But all along, they’re being watched by one of the king’s most iconic villains, quietly plotting revenge.

Dan Abnett has made a name for himself writing believable heroes in vast cosmic settings, and he applies the same skills here, to a man audacious enough to claim rulership over most of the planet, living in a world as strange as space itself would be. In describing the Atlantean terrorists, Abnett’s narration casually drops how hard it would be for us to understand their culture, world-building with efficient grace. And, like Johns did so well before him, the writer works “Aquaman is a joke” into the story for the characters to deal with head-on. This version of Aquaman owns the problematic parts and makes them into draws – yes, Arthur Curry is not welcome on land or sea, but it’s much more interesting to put him between as a protector, keeping the anger of the sea people and the greed of the land people at bay.

Come back to Aquaman. He’s not a joke, he’s not embarrassing. He’s a complicated science fiction character who doesn’t conform to the expectations of the typical superhero, and that can make him better. This is a team that loves him as much as Geoff Johns loved him, and terrific books came out of that love.

And I made it through an entire Aquaman review without making a fishing joke.

-Matt Conner

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Ultimate Comics Exclusive: ROM #1 Tommy Lee Edwards Variant

We’re super excited to officially announce our exclusive variant cover for the hotly anticipated ROM #1 from IDW! This breathtaking variant features art from the immensely talented Tommy Lee Edwards and features a modern take on ROM with green accents as an homage to the original Mattel packaging.

The print run on this book will be super limited, so we’re only offering 50 copies at our special UltimateComics.com pre-sale price of $9.99. The price will go up when the book is released so make sure not to miss out on this deal!

ROM #1 Ultimate Comics Exclusive Tommy Lee Edwards Variant IDW 2016 PRE-SALE Ships 7/20/2016

ROM #1 Ultimate Comics Exclusive Tommy Lee Edwards Variant IDW 2016 PRE-SALE Ships 7/20/2016

Pre-Order the other incentives today!

Rom #1 1:25 Sal Buscema Variant IDW 2016 PRE-SALE Ships 7/20/2016
Rom #1 1:25 Sal Buscema Variant IDW 2016 PRE-SALE Ships 7/20/2016
Rom #1 1:50 Michael Golden Variant IDW 2016 PRE-SALE Ships 7/20/2016
Rom #1 1:50 Michael Golden Variant IDW 2016 PRE-SALE Ships 7/20/2016
Rom #1 1:100 P Craig Russell Variant IDW 2016 PRE-SALE Ships 7/20/2016
Rom #1 1:100 P Craig Russell Variant IDW 2016 PRE-SALE Ships 7/20/2016
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Batman Rebirth #1

Written by Tom King and Scott Snyder
Art by Mikel Janin
Colors by June Chung
Published by DC Comics

Last week, DC published a great big apology to the fans with DC Rebirth #1, a book that admitted that things had gotten dark and murky and promised a little more joy while still appreciating the legacy without obeying each strand of continuity. It was an amazing gesture, and we loved it at Ultimate Comics. This week, DC has to put their money where their mouth is, applying this Rebirth idea to their most popular character while transitioning one of his best writers off the book.

It helps that the new writer has done excellent work on Grayson (and Sheriff Of Babylon and The Vision, if you need to look outside the Bat family). And it helps even more that the artist in this transition issue is Grayson’s own Mikel Janin, who has been doing amazing stuff with page layouts and sex appeal. So the main job here is for Tom King to say that what he does well with Batman’s old protege will work for Batman.

And it does.

The story is a neat little one-shot. The Calendar Man has a Doomsday machine hidden somewhere in Gotham that makes a whole season happen in a single day, and when we get to spring again, everyone in the city is going to die. Batman has to stop him, of course, but he also has to defend the lunacy of continuing the fight against a never-ending parade of homicidal psychopaths. And in the process, he defends DC publishing decisions, as metatextually as last week’s four-color mea culpa.

See, comics are a serial medium. The bad guys come back because a book has to get to the printer every month. But rather than look at this as pointless, Tom King defends that this is life. We are going to get hungry in a few hours, but we have lunch anyway. You’ll probably get a cold again next year, but your doctor is willing to dig in and help you be as healthy as you can today. A public defender is pretty sure her client is going to do it again, but she does what she can because maybe this time, it’s going to work. And that’s what’s important about DC. They make mistakes. Huge, linewide apocalypse mistakes. But they come back. Just like the Calendar Man, they go through autumns and winters, but they have spring again. And it is clearly spring for fans of Batman. Yes, in the future, readers will be outraged and swear to quit forever. But that’s like saying it will never be summer again. Please don’t buy books you don’t like. Don’t support work you find uselessly distasteful or offensive. But remember that this is a business of cycles, and you can always come back.

If you’re ready to come back to Batman (and really, even if you hated the New 52, Batman was consistently amazing throughout), head on down to Ultimate Comics in Chapel Hill or Raleigh for Batman Rebirth #1. It’s spring again.

-Matt Conner

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JLA vs Defenders

JLA (1): Martian Manhunter, Green Arrow, Flash, Green Lantern (Hal), Aquaman

Defenders (2): Doctor Strange, Hulk, Silver Surfer, Namor, Valkyrie

“We appear to be the final two teams.” Martian Manhunter states, “And these five seem to be particularly volatile,” He pauses a moment to consider his thoughts. “I think that I have a plan.”

Across the way Doctor Strange’s eyes perk up, “they’re attacking us already, using a telepathic intrusion on one of us!” His eyes dart around the group. “Oh no…” His fear is palpable. “By the hor…” He’s cut short.

“HULK SMASH!” The Hulk’s eyes are full of rage as he hammers his fists into the ground scattering the Defenders. “Hulk hate fish man, and he hate sword girl, magic man, and shiny man!”

The Silver Surfer takes to his board to address the immediate concern, “Hulk, we are you friends, we don’t want to hurt you. We’re on the same team.” He uses the power cosmic to try to calm the savage Hulk.

“It’s almost working,” the Martian Manhunter feels the Hulk’s blind anger starting to quell. “Arrow.”

The Green Arrow takes aim, and slides an arrow in just under Silver Surfer’s arm. It explodes on impact.

“Puny shiny man, you try and trick hulk? NO ONE TRICK HULK!” The Silver Surfer can span light years in a matter of minutes, but he isn’t quick enough to avoid the Hulk’s grasp. He’s fought toe to toe with Galactus, but he isn’t strong enough to escape the Hulk’s grip. And he’s flown through the heart of suns, but he cannot withstand the beating unstoppable beating the the Hulk puts forward.

“He’s being manipulated, I’m trying as hard as I can to break him free, but the telepathic attack was so subtle, so direct.” Doctor Strange calls out, “You have to restrain the Hulk!”

“I am sick of doing your dirty work Strange! If they have a telepath, I’ll rip all of their head’s off!” Namor flies off to attack the JLA.

“As much as I hate to agree with Namor, he has a point, I think the only way to stop the Hulk is to stop whoever’s controlling him.” Valkyrie takes off as well.

“You don’t understand, he’s not controlling the Hulk, he just made him angry, beyond reason. We can get him back, I just can’t do it while I’m running from the Hulk!”

“Magic man! Always bossing Hulk around, HULK STRENGTH NOT YOURS!” THe Hulk lurches for Doctor Strange, who floats back, already fearing an attack.”

“The Crimson Bands of Cyttorak!” Soft magenta bands wrap around the Hulk’s powerful frame. “Vishanti help me!” Doctor Strange waves his hands and tentacles raise up from the ground, holding the Hulk down, only making him angrier. “By the all seeing Eye of Agamotto, let your mind be clear!” Doctor Strange pushes his chest out, and beam of purple energy hit the Hulk on the forehead.”

The Hulk roars in opposition and pulls his arms apart, shattering the mystical constructs holding him back. He rips his feet from the ground and leaps into the air. “YOU THINK YOU CONTROL HULK’S MIND, BUT HULK TOO STRONG!” He grabs the totem from around Strange’s neck and drags it to the ground, pulling the doctor with him. In his titanic fist, the Hulk crushes the talisman.

“The… the Eye of Agamotto… you’ve just…” It glows red and explodes throwing Doctor Strange and Hulk both apart. The Hulk recovers, Doctor Strange does not.

“No one can control the Hulk.” He drops to a seated position and watches as the Justice League battles the JLA.

“So I hear you’re the King of Atlantis?” Namor shouts, making the personal attack first. “How unfair that an alternate universe me could be so weak.” He punches Aquaman in the face, and viciously continues the attack. He gets hit with an arrow, that breaks against his shoulder. Namor picks up Aquaman’s trident and hurls it Green Arrow, impaling him. “Not your fight boy.”

“Hurk.” The Green Arrow doubles over and falls. “Might need a little help with one.” He mutter to Martian Manhunter.

“You have no idea the control it’s taking to keep the beats calm. Making him angry was so easy, but keep him calm is nearly impossible!”  the Manhunter from Mars exclaims, barely noticing Green Arrow’s wounds.

Green Lantern tries to save Aquaman, creating a large fish net, but gets cut short as Valkyrie charges in and slashes down on his wrist, lopping off his ring hand. Green Lantern screams as he reverts to a bomber jacket and blue jeans. He drops to the knees scrambling to grab the power ring.

“You’ve accepted your fate.” Valkyrie moves to strike again when the Flash races in and scoops up his friend. “Another one of you?” Remembering her previous fight with Impulse.

“Oh yeah, I owe you one for that!” The Flash races in an makes a hundred attacks as fast as he can. As Valkyrie begins to swing her sword around the Flash reaches out and grabs the hand, vibrating it back and forth, and matches the frequency of the sword. It phases out of her hand lands with a clang on the ground.

“What sorcery?” She exclaims, as her sword falls to the ground with a clang.

“There’s more open space in most solid objects, between the smallest particles of matter, than actual matter, you get everything lined up right, and you can pass right through!” Flash taunts and Valkyrie punches out at him, he phases himself and she stumbles through. “And that’s a Flash Fact!” He turns and punches her before noticing that Aquaman is not doing well. He dashes off to save him.

“There is only one King of Atlantis!” Namor raises the bloodied, limp body of Aquaman overhead flying into the air, ‘IMPERIUS REX!” Namor heaves Aquaman into the ground. A trail of blood flowing from his forehead, the Sub-Mariner looks up just in time to see the streak of red, bearing Aquaman’s trident.

Seeing the arrow shatter against Namor’s skin, the Flash forgoes a traditional attack, and tries to phase the weapon into Namor’s chest, when he notices Valkyrie has followed the short distance.

“You run from a fight?! Coward!” She cuts down through the Flash, but he zips away, leaving the sword buried deep into Namor’s shoulder.

“Are you sure you guys are even a real team.” The Flash mocks as he creates a speed tornado around Valkyrie. He darts back to Green Arrow’s quiver and unleashes every single arrow in his arsenal. Adjusting the trajectory along the way, to make sure each arrow hit, despite Valkyrie’s best defenses. The electric arrows, the explosions, the smoke clouds, the nets, handcuffs, boxing glove, acid, fire, drill, glue, and more.

“You insolent little…: Valkyrie pushes through the all, but limps through them, clearly affected. Staggered. She chases after the Flash.

“Missed me.” He dodges her first slow attack. “Missed again.”

Valkyrie begins flailing around, in her last desperate attempts, and falls while trying to strike the Flash. “I have the stamina of a god, I’ll catch you eventually!”

“Good point.” Flash acknowledges. “Hey John, we’re almost done here, think you lend a hand? Just on sec, and then I think that I can help you with your thing!”

“Very well.” The Martian Manhunter floats over and punches Valkyrie.

“Great, now, I need you to really, really, the big guy out, I have an idea. If he gets stronger when he’s angry, that means he gets weaker when he’s not, hopefully you can get him weak enough that I can one punch him out before he even sees me coming in.”

“Very well.” The Martian Manhunter focuses all of his telepathy into the already much more calm Hulk. The soothing thoughts are enough. The Hulk lays down almost asleep.

“Best chance we’re going to get.” The Flash takes off after the Hulk, but stops just short, as he notices the giant green monster shrinking to the visage of Doctor Bruce Banner, napping on the ground. “Huh. Looks like won!”

WINNER: JLA